Egan’s tutor, first published in about 1820 in Dublin is one of a very small number of tutors for the double flageolet and the only Irish one I have come across.
Fingering charts for the double flageolet are difficult because the lower note of a chord can vary between the left and right pipes depending on the precise notes required. Egan had a further difficulty in that he was marketing his work to amateurs who might wish to learn without playing another instrument or taking lessons. Egan’s solution, of teaching simple chords for a D and G major scale is sensible, although some of the chords are not frequently encountered in practice.
Ent’d at Sta.Hall. Price 5.s
D | E | F | G | A | B | C | D | E | F | G | A | B | C | D | E | F | G | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Left Hand | 1 | ● | ● | ● | ● | ● | ● | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ |
2 | ● | ● | ● | ● | ● | ○ | ○ | ● | ● | ● | ● | ● | ● | ○ | ○ | ● | ● | ● | |
3 | ● | ● | ● | ● | ○ | ○ | ○ | ● | ● | ● | ● | ○ | ○ | ○ | ● | ○ | ○ | ○ | |
Right Hand | 4 | ● | ● | ○ | ○ | ○ | ○ | ○ | ● | ● | ● | ○ | ○ | ● | ● | ● | ○ | ○ | ● |
5 | ● | ● | ● | ○ | ○ | ○ | ○ | ● | ● | ○ | ○ | ○ | ● | ● | ○ | ○ | ● | ○ | |
6 | ● | ○ | ● | ○ | ○ | ○ | ● | ● | ○ | ● | ○ | ○ | ○ | ○ | ● | ● | ○ | ○ | |
Lit'e fin'r | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | |
Key | ● | ● | ● | ○ | ○ | ○ | ○ | ● | ● | ● | ○ | ○ | ○ | ○ | ● | ○ | ○ | ● |
C♯D♭ | D♯E♭ | E♯F♮ | E♯F♮ | F♯G♭ | G♯A♭ | A♯B♭ | B♯C♮ | C♯D♭* | C♯D♭ | D♯E♭ | E♯F♮ | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Left Hand | 1 | ● | ● | ● | ● | ● | ● | ● | ○ | ◎ | ○ | ○ | ○ |
2 | ● | ● | ● | ● | ● | ● | ○ | ○ | ● | ● | ● | ● | |
3 | ● | ● | ● | ● | ● | ○ | ● | ○ | ○ | ● | ● | ● | |
Right Hand | 4 | ● | ● | ○ | ● | ● | ● | ○ | ○ | ○ | ● | ● | ● |
5 | ● | ● | ● | ○ | ○ | ● | ○ | ○ | ○ | ● | ● | ○ | |
6 | ● | ● | ● | ● | ○ | ○ | ○ | ● | ○ | ● | ● | ● | |
Little finger | 7 | ● | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ● | ○ | ● |
Key | ● | ○ | ● | ● | ● | ○ | ○ | ○ | ● | ● | ○ | ● |
F♯G♭ | G♯A♭ | A♯B♭ | A♯B♭ | B♯C♮ | B♯C♮ | C♯D♭ | D♯E♭ | D♯E♭ | E♯F♮ | F♯G♭ | ||
---|---|---|---|---|---|---|---|---|---|---|---|---|
Left Hand | 1 | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ◎ | ○ |
2 | ● | ○ | ○ | ○ | ○ | ○ | ● | ● | ○ | ○ | ○ | |
3 | ● | ○ | ○ | ○ | ○ | ○ | ● | ● | ○ | ○ | ○ | |
Right Hand | 4 | ● | ● | ● | ● | ● | ● | ● | ○ | ● | ○ | ● |
5 | ○ | ○ | ● | ● | ● | ● | ○ | ● | ○ | ○ | ● | |
6 | ○ | ○ | ● | ● | ○ | ● | ○ | ● | ● | ● | ○ | |
Little finger | 7 | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ | ○ |
Key | ○ | ○ | ○ | ● | ○ | ○ | ○ | ○ | ● | ○ | ● |
[The “Bull’s Eye” symbol: ◎ refers to the thumb-hole being open.]
*This method of fingering C♯ is generally the best, however, the ear must determine; as this note is not true on all Flageolets.
The 1st Gamut in G being the easiest, I recommend the Pupil to study it first. The first two notes F & D are made by covering the four upper holes of the left hand Flageolet with the left hand, & all the holes of the Right, with the Right hand; observing the letters R & L, which shows what Flag.t sounds the upper note.
The figures 1, 2,3,4, show which holes are to be covered.
C♯ in alt. cannot be played on the Double Flageolet.
I have divided this scale in the above manner for the purpose of particularly showing the Pupil which hand produced the upper notes, as a great deal will depend on the knowledge of that hereafter.
In the above Lessons the Pupil will perceive by the R. meaning Right Hand & L. meaning Left (placed above) which hand plays the upper notes.
NB. The E♭. & E♮ the F♮. & its Octave; the B♭. B♮. C♮. Are invariably played on the Right Flag’te.
The C♯. & high D. are always played on the Left.
The remainder of the notes may be played on either Flag’t as they will be marked with Right or Left where the passages require it.
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